The main components of my practice are sculpture, sound, video and installation. Interested in the possibilities of integrating sound (and rhythm) into visual environments and the ability of the sound to radically change the understanding of the image.
The process of the work is exploring the objects and materials, creating a diverse spectrum of sounds. Thinking about texture and warmth from the sound and material. The found objects and materials don’t reveal their source and so then are not literal or illustrative of the source or action. The visual being incognito create an industrial and distorted experience towards the video. Visually being strange as the material is pushed to technology, lending it to an uncomfortable parallel world. Not being able to identify the unrecognisable moving images interests me as it makes you optimistic about this unsettling mechanical feel. The discomfort audio is endurable as each sound moves with the distorted visual.
The process of the work is exploring the objects and materials, creating a diverse spectrum of sounds. Thinking about texture and warmth from the sound and material. The found objects and materials don’t reveal their source and so then are not literal or illustrative of the source or action. The visual being incognito create an industrial and distorted experience towards the video. Visually being strange as the material is pushed to technology, lending it to an uncomfortable parallel world. Not being able to identify the unrecognisable moving images interests me as it makes you optimistic about this unsettling mechanical feel. The discomfort audio is endurable as each sound moves with the distorted visual.
